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Large Diaphragm Condenser
Aston Spirit / Matched Pair
The Aston Spirit is a high-performance switchable pattern microphone utilising a 1” gold evaporated capsule. A switch on the mic body selects from Omni, Cardioid or Figure-of-Eight polar patterns.
The Spirit is designed to deliver a beautifully open sound with sparkling harmonics. This highly accurate microphone gives a stunningly natural and transparent recording, capturing all the detail in the high range but without adding the harshness that some condenser microphones seem to.
Joe Meek JM47a
The JM47 is a very high quality true capacitor microphone with FET impedance converter and transformer output. The capacitor element is manufactured to the classic ‘centre electrode’ design which provides smooth extended frequency response without low frequency boominess. Quality is further enhanced by using dynamic feedback actually at the capacitor element. This original technique eliminates distortions which can occur when using this type of microphone for high volume levels.
AKG Perception 120
The Perception P120 is a 2/3-inch diaphragm true condenser microphone that offers solidly built quality & outstanding performance. The low-mass diaphragm delivers a clear sound with accurate sonic detail for vocals, speech and instrument recording in project studios. The Perception P120 provides a switchable 20dB attenuation pad for high-SPL applications up to 150dB and a bass-cut filter to eliminate rumble noise. Incorporated in a heavy-duty, all-metal chassis, it delivers the legendary AKG sound to project studios and to every stage.
Small Diaphragm Condenser
AKG C1000s / Matched Pair
The C1000 S multipurpose small-diaphragm condenser microphone is extremely popular for its versatility. It is suitable for recording and live-sound applications as well as for ENG/EFP and video productions. Its gold sputtered capsule housing makes the microphone extremely rugged against humidity. If no phantom power is available, the C1000 S can be powered by two standard AA batteries for up to 120 hours. More versatile than ever before, the new C1000 S features a bass-cut switch and a switchable -10 dB pad.
SE Electronics SE 1a
Great for strings, acoustic guitars and pianos, the sE1a uses a capsule built and tested by the same skilled technicians as the more expensive sE5 and Rupert Neve Signature RN17 SDCs, housed in a chassis alongside super-quiet electronics.
Even though the sE1a does not include any pads or roll-off switches - which helps keep costs down - you won't miss them. It can handle a massive 137dB sound pressure level, which is more than enough for the loudest drums and guitars. No frills, no switches...no need for them
Large Diaphragm Dynamic
Aston Stealth / Matched Pair
The Aston Stealth is a revolutionary, broadcast quality microphone for studio and stage. With 4 switchable voices delivering unparalleled performance in almost any situation, a Class A built in mic preamp with autodetect 48V Phantom power (a world’s first!) and featuring a unique Sorbothane internal shock mount system and Aston’s legendary build quality, we reckon Stealth is the world’s most versatile microphone.
Shure SM7b
While Shure’s SM7B is a first-call mic for many sources, it’s a total rock star dialog microphone. You’ll find this dynamic beauty dangling from broadcast booms in voiceover, ADR, radio, and podcast studios around the world. There are two settings that let you tailor the SM7B to a wide range of voices and applications. Whether you want to bring out the resonance of a deep baritone, tame the brittleness of a high soprano, capture a whisper, or record a gunshot, the Shure SM7B is a must-have part of your rig.
Telefunken M82
The M82 is a robust, end-address microphone that features a large dynamic diaphragm with superb low frequency capabilities. Though it was designed to capture fat and punchy kick drum tones, the two on-board EQ switches make the M82 equally suited for a multitude of sources including vocals, percussion, guitar and bass amplifiers, organ, and brass instruments. Both the KICK EQ and HIGH BOOST switches function independently and give the user the ability to tailor the microphone's response to the source with ease.
AKG D112
Over the years the D112 has earned a well-deserved reputation as one of the best bass drum microphones ever made, for its high SPL capability, punchy EQ and bulletproof construction.The D112 can handle more than 160 dB SPL without distortion. Its large diaphragm has a very low resonance frequency that delivers a solid and powerful response below 100 Hz. Its authoritative low end is complemented by a narrow-band presence boost at 4 kHz that punches through even dense mixes and loud stage volumes with forceful impact.
Small Diaphragm Dynamic
Byerdynamic M201
As a member of the M series, the M 201 TG embodies natural sound reproduction like no other dynamic microphone. It reproduces signals with exceptional clarity and detail. These are the qualities that have led many people to select the M201 TG as an alternative to condenser microphones and enabled them to enjoy the strengths of the dynamic pendant.
Shure SM58 Beta
This dynamic vocal microphone provides a brightened midrange and bass roll-off with frequency response to control proximity effect, a steel mesh grille for durability, a shock mount for low unwanted noise, and a neodymium magnet for high signal-to-noise ratio.
Shure SM57
A snare crack. An arpeggiated chord. A powerful saxophone solo. Whether on stage or in the studio, the notes that flow from your instrument connects your audience on a visceral level. And such sounds need a mic that can handle its strength. For every acoustic condition, the SM57 delivers the power of your playing to every fan in the house.
Ribbon Microphones
Bash Audio BIV1 / Matched Pair
In two years time the technology of making ribbon microphones had been worked out and the result has surpassed all expectations! The ones who know what kind of microphone it is will certainly say that a ribbon microphone is a studio microphone. Even though it seems to be not enough of high frequencies, the reality of the transmission of the timbre can not be compared to any other microphone. Many beginner sound engineers do not even know what it is. Although recently almost all firms have in their line-up a "ribbon" pattern.
I would not insist that this is a vocal microphone, rather than instrumental, but it is perfect for the baritone. Using a pop-filter is obligatory! It also sounds very good on strings, winds, percussion, xylophone and as overheads, and guitar amps sound fantastic!